The Kenyan arts and theatre scene raises a glass – and perhaps a paintbrush – to celebrate the life and work of Margarita wa Gacheru. Margarita’s name is synonymous with the evolution of artistic narrative in Kenya.
As a writer, her pen had as much influence on the art world as any artist’s brush.
Known for her intelligent and insightful art criticism, Margarita was more than just a journalist; she was a beloved figure who transformed the often intimidating world of art criticism into an engaging and accessible narrative.
Ababu Namwamba and Margarita Wa Gachiru during the announcement of the nominees for the 2023 Kenya Theatre Awards at Talanta Plaza in Nairobi on January 23,
Image source: Evans Hubbell | Nation Media Group
Margarita’s journey with writing began in the late 1980s, at a time when the Kenyan art scene was still finding its footing.
As an art writer, she has dedicated her life to documenting artists both established and emerging.
Throughout her career, Margarita has been a strong advocate for artists. She has used her platform to ensure their voices are heard and their work is recognized. Her articles and reviews have often served as a launching pad for artists.
Stuart Nash, a theater and television producer and director, told BDLife that his friendship with the late Margarita was deep and touching. Their relationship began in 2018, during the production of Jesus Christ Superstar.
“Margarita was not just a critic, she was a friend, a teacher, and an invaluable archive of the world of theatre.
She said she “meticulously documented countless performances, ensuring that many performances that would otherwise have been forgotten are preserved for future generations.”
Margarita had an amazing memory. Although she had seen over 300 performances, she had an extraordinary ability to recall intricate details from performances she had given over the years.
“Her ability to remember and discuss performances she gave years ago was extraordinary,” Nash said.
Nash fondly recalls afternoons spent together, sharing tea and dark chocolate — Margarita’s favorite food.
“She was like a second mother to me, and her memory will remain a source of inspiration and guidance for future generations in the world of performing arts,” he said.
Her influence was also evident in Nash’s work. Her proposal to produce the film Ngungi Wa Thiongo became a pivotal project for him.
Many prominent artists in Kenya credit her with giving them the vision to develop their careers.
“My first encounter with Margarita’s work was in 2021, during the Kenya International Theatre Festival that year, when she presented a production she wrote and directed for the first time.
“Her positive response has had a profound impact on my journey as a writer. Her appreciation has inspired me to start writing my own reviews,” said Olwell Dickens, artist, writer, actor and director.
Margarita’s influence extended beyond personal encouragement. Her reviews were known to be both a blessing and a challenge.
“Receiving feedback from her could be a source of comfort or insomnia, as she was known for her honest and frank criticism.
“Her reviews were highly appreciated and often helped shape the course of theatre productions and artistic careers,” Mr. Olawale said.
Speaking about her legacy, Mr. Olawale expressed his regret at the loss of what he described as “50 years of archives” with her passing.
Margarita has written about the arts in Kenya for many decades, starting with Hilary Ngwenu’s weekly magazine and the Nairobi Times.
She holds a PhD in Sociology from Loyola University Chicago in the United States, and MA degrees from the University of Nairobi in Literature and Northwestern University in Journalism, as well as from Loyola University and National Louis University in Education, Chicago.
Author of Transforming Kenyan Contemporary Art (1960-2010), she has been writing for BDLife magazine since early 2012.
Peter Tosh, a well-known figure in the theatre world as a writer, director and actor, expressed his deep appreciation for the late Margarita. For him, she was not just a fan but a devoted supporter of his work.
“She never missed our shows, and she was always in my inbox, asking when the next show was,” he said.
She regularly posted stories about his plays and remained an enthusiastic fan, even during the difficult times of the Covid-19 pandemic.
“During Covid, when we were doing online theatre, she would always ask for the online link and follow it. She never missed a play. She was very dear to my heart,” he said.
Their friendship began unexpectedly on a car ride from Westlands to the city. Tosh and Margarita struck up a conversation about theatre, which led to a lasting relationship.
“I had no idea she would become such a humble supporter of my work, especially as an emerging artist. Her encouragement meant so much to me. I will miss her terribly,” he said.
“Thank you so much, Margarita. The theatre community will miss you sorely,” he added.
Claire Wahome, CEO of Melas Productions, expressed her deep sorrow and admiration for Margarita.
Ms. Wahome, who heads Melaz Productions, spoke of Margarita’s unwavering support for the arts. Their first meeting in 2018 left a lasting impression on Ms. Wahome.
Her admiration was particularly heightened after she gave a moving review of Backstreet in May 2022.
Margarita described Backstreet as an important conversation starter that brought to light often hidden struggles such as anger, trauma, and depression.
Margarita’s commitment to theatre extended beyond her criticisms. Ms. Wahome shared a poignant memory from June, recalling a personal moment with Margarita after a poetry performance in Thika.
“After the show, she offered to drive me and a friend home. On the way, she spontaneously stopped for vanilla ice cream. Her face lit up with such joy—it was a beautiful, warm moment that I will cherish as my last memory of her,” she said.
Mrs. Wahome also noted that Margarita was looking forward to attending Claire’s performance the following Saturday.
“It is very sad that she died before she was able to see it. Her enthusiasm for local talent was boundless, and she made sure to balance her schedule to attend as many shows as possible,” she said.
Margarita’s absence is keenly felt in the art and theatre communities, but her legacy lives on. She has highlighted contemporary African art, which has seen a surge in interest worldwide, and has highlighted artists who are exhibiting in leading galleries and museums.
“Her contributions to the world of theatre are remembered with great respect and gratitude,” said Ms. Wahome. “Her passion as a critic and advocate will continue to inspire and uplift the arts community for years to come.”